I'm gonna ride the chariot - Negro Spiritual, Performed by SINGSPIRATIONS on 13th September, 2015 in "SING GLORIA" concert at Bishop Heber College. This program was done to raise funds for the Missionary Upholders Trust.

Piano - Franklin Victor
Conductor - B. Jonath Backia Seelan

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The new world show orchestra, the linden singers

This episode of the series “Folks” from April 19, 1987, focuses on the art of the Negro Spiritual. Sonya Masingale first interviews Frances Ellis-Marsh, a dramatic soprano and the chairwoman of vocal music at Southern University in Baton Rouge. She discusses: the differences between spirituals and gospel music; the reasons why spirituals are so special to her; and her work to reestablish their importance. Ellis-Marsh then performs several spirituals accompanied by pianist Frank White: “His Name So Sweet”; “Fix Me Jesus”; “Oh Freedom”; “Wade in De Water”; “He’s Got the Whole World in His Hands”; “I Want Jesus to Walk with Me”; and “Roll Jerd’n Roll!”

pianoversie van dit lied door ernst stolz
pianoles in den haag
http://www.pianolesdenhaag.nl

Based on a true lockdown.
....
I do not own rights to this song.
Original Composer: LatinAutor, Muserk Rights Management

As performed by the North Park University Gospel Choir on November 19th, 2016 at Anderson Chapel. The directors of this choir are Stephen Kelly and Dr. Helen Hudgens. The soloists are Linda Nelson, Mary King and Emily Cordona Nodarse.

Soprano: Suzanne Taffot
Pianiste: Louise Andrée Baril
Titre: Deep River -
Genre: Negro - Spiritual - Arranged by Hogan Moses
Date de l'enregistrement: Juin 2020

Chœurs d'hommes d'Evreux : The Best of African Gospel
Salon Marceau Chartres

A new lecture,film premiere and historic recordings presentation at The African American Museum and Library at Oakland by Bill Doggett, Exhibitions Curator,lecturer and historian. This presentation took place June 16, 2012.

The lecture begins with a focus on The Transatlantic Slave Trade, Slavery in The United States and focuses in on The Underground Railroad and the special coded role of Negro Spirituals in the journey of enslaved Africans to freedom. The lecture-academically speaking-- has much more notable and engaging material than what is shared here.

This lecture was presented as part of The African American Museum and Library at Oakland's continuing focus on The 150th Anniversary of The American Civil War and the intertwined dramas of Slavery in The United States and African American history, then and now.

The lecture was a full afternoon presentation distinguished by the world premiere of a very special film to accompany the lecture. Additionally, Doggett showcased a number of rare early sound recordings from his large Early Sound archive of Negro Spirituality and Folk Songs.
This you tube piece is a PROMO REEL: a small sample of a much larger presentation that is focused as a full afternoon or full evening event. To contact and book Bill Doggett for your Music and Lecture Series: email: bdoggett55@gmail.com

One of the largest and most significant forms of American folksongs, the Negro spiritual, has a long history in America, but how do these religious songs relate to the music heard in the Black church today? "American Black Journal" continues its "Black Church in Detroit" series with a look at the history of Negro spirituals and gospel music, and the influence these two genres have had on contemporary artists.

Producer AJ Walker talks with Dr. Brandon Waddles, a composer, arranger, choir director and music instructor at Wayne State University, about how Negro spirituals uplifted enslaved Africans brought to this country and how it served as a universal language that helped lead them to freedom. Plus, they discuss R&B singers, past and present, whose musical roots stemmed from the Black Church.

American Black Journal: Episode 5026/Segment 1

Subscribe to Detroit Public Television’s YouTube Channel & Don’t miss American Black Journal on Tuesday at 7:30 p.m and Sunday at 9:30 a.m. on Detroit Public TV, WTVS-Channel 56.

Catch the daily conversations on our website, Facebook, Twitter and Instagram @amblackjournal.

While listening to old Negro Spirituals, we realized the pain, emotions, and the events that happened then are still happening today. So we thought," I wonder what a Negro Spiritual would sound like in 2020??" We decided to make one.

"2020 Negro Spiritual"
Enjoy

Project for a teaching sample on slave culture.
All images from a simple Google image search.
Music from an educational cd on the Underground Railroad
Harris, K. & Harris, R. (1997). Wade in the Water. On Steal Away: Songs of the Underground Railroad [c.d.]. Morristown, NJ: Brooky Bear Music. (1984).

R. Nathaniel Dett, composer ; The Nathaniel Dett Chorale

Negro spiritual interpretado por el Coro del Centro de Graduados del Liceo Naval.
Dirección: Daniel González

Solistas: Alejandro Lacalle, Jorge Destéfano, Héctor Suiffet y Luis Niglia.
Hi-hat: Osvaldo Pérez Martín

Diciembre 2014

Realización: Zafiro foto y video
Contacto: zafirofyv@gmail.com

Evelyn Simpson-Curenton, composer
Kathleen Battle, soprano

In memory of Bill Pearce, please help to keep his Nightsounds radio ministry on the air by making PayPal donations, and to continue to listen to his Nightsounds programs at: http://nightsoundsradio.org

Contact Nightsounds, and let them know how much you appreciate listening to Bill Pearce’s Nightsounds radio program on the air at Nightsoundsradio@aol.com

You can visit the Nightsounds Store at: http://nightsoundsradio.org/shop.cfm

Come to Me (Negro Spiritual)
The Melody Four Quartet:
Clari Hess- first tenor
Glen Jorian- second tenor
Ray Felton- baritone
Bill Pearce- bass

The Melody Four Quartet: The Melody Four Quartet
Word Records
W-3015-LP
[1957 or 1958]

























































































































K'vod l'kha YHWH

Harry Thacker Burleigh, composer
Randye Jones, soprano
Timothy Newton, piano
Encore! - Vocal Recital
Grinnell College

Edward Boatner, composer
Randye Jones, soprano
William Tinker, piano
Floods of Praise and Giving Concert
Herrick Chapel
Grinnell College

Nobody Knows The Trouble I’ve Seen, Negro Spiritual
Extrait n°33 de « Ma Deuxième Année de Piano » (Charles HERVÉ et Jacqueline POUILLARD)
https://www.henry-lemoine.com/....fr/partitions-piano/

© Copyright 1995 by Editions Henry Lemoine