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THE HOUND OF THE BASKERVILLES | Sherlock Holmes and Dr Watson investigate the legend of a supernatural hound, a beast that may be stalking a young heir on the fog-shrouded moorland that makes up his estate. Adventures of Sherlock Holmes on Feature Film.
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Great adventures of Sherlock Holmes in film series with Basil Rathbone as the most famous detective in history. Sherlock Holmes movies for free, movies online, free to watch. Adventures of Sherlock Holmes and Dr Watson on Feature Film channel.
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As part of a bet, two aristocrats offer a penniless American (Gregory Peck) a loan, without telling him that the amount is £1,000,000 in the form of a single banknote.
The Million Pound Note (1954)
Studio: Group Film Productions
Director: Ronald Neame
Writer: Jill Craigie
Cast: Gregory Peck, Ronald Squire. Joyce Grenfell
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Full Western Movie, Full Length Cowboy Film, English: The Shakiest Gun in the West (1968), Runtime 1h 41min, Comedy, Western, 10 July 1968 (USA).
The Shakiest Gun in the West is a 1968 Western comedy film starring Don Knotts. It was directed by Alan Rafkin and written by Jim Fritzell and Everett Greenbaum. The film is a remake of The Paleface, a 1948 movie starring Bob Hope and Jane Russell. The soundtrack by Vic Mizzy was released on CD by Percepto in 2007. Mizzy highlights a comic tone to the score while paying subtle tribute to Ennio Morricone.
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A pardoned stagecoach robber, becomes government agent and marries a naive unsuspecting east-coast dentist in order to join a wagon train and catch the smugglers who have been selling guns to the Indians.
Director: Alan Rafkin
Writers: Edmund L. Hartmann (screenplay) (as Edmund Hartmann), Frank Tashlin (screenplay)
Stars: Don Knotts, Barbara Rhoades, Jackie Coogan
PLOT (Wikipedia): Jesse W. Haywood (Don Knotts) graduates from dental school in Philadelphia in 1870 and goes west to become a frontier dentist. As a "city slicker", he finds himself bungling in a new environment.
On his way west, the stagecoach is held up and robbed by two masked bandits. A posse catches one of them, Penelope "Bad Penny" Cushing (Barbara Rhoades).
Facing prison, Penelope is offered a pardon if she will track down a ring of gun smugglers that also involves a local Indian tribe. Because the wagon train she plans to accompany will not permit single women to join, she tricks Haywood into a sham marriage as a disguise.
Jesse, excited for his wedding night and not realizing the sham of his marriage, looks for Penelope who is investigating the crates of "bibles" the preacher and his minion have in their tent. Jesse startled Penelope who alerts the camp. Her investigation foiled, she goes to bed dragging along her bungling husband.
As the wagon train draws near the town, Indians attack. As Jesse fumbles with his six shooter, Penelope expertly shoots the attackers. Jesse, believing he was responsible is proud of his accomplishment and is treated as a hero by the wagon train and the entire town that hears of his deeds.
The Preacher and his minion, believing Jesse to be the undercover federal agent, hires the local outlaw Arnold the Kid to challenge Jesse to a gunfight. In the yard as Jesse practices for his gunfight, Penelope meets with her contact in town. Around the corner, Arnold listens for Jesse to use up his rounds and after the sixth shot challenges Jesse, even offering him the first shot. Penelope, feeling pity for Jesse, kills Arnold from the window.
Haywood inadvertently becomes the legendary "Doc the Heywood" after he guns down "Arnold the Kid" and performs other exploits (all with covert assistance from Penny).
Later at night as Penelope leaves to search the church where the Preacher resides, Jesse confronts her demanding where she is going. Penelope explains her situation and Jesse offers his help believing himself to be a crack shot. Penelope, not wanting Jesse to hurt himself, tells him the truth about her assistance on the wagon train and with Arnold. Penelope leaves, apologizing to Jesse, who is now heartbroken.
Penelope investigates the church and is kidnapped by the Preacher and his minion, who take her to the Indian village outside of town. Meanwhile, Jesse walks into the saloon and admits the truth of his deeds to the town...who now find him a joke. As a drunken Jesse stumbles out of the saloon he sees Penelope being taken out of town by the Preacher. Jesse follows them to the Indian village to save Penelope.
In disguise as a Squaw, Jesse maneuvers around the village and frees Penelope suggesting they wait for the entire village to get even more drunk. Eventually Jesse is discovered and the Preacher and his Minion challenge Jesse to a gunfight. Jesse is confidant as he knows Penelope is armed and ready in the shadows. As Penelope sets her sight she is grabbed by two marshals who sneaked into the village to save her. Two gun shots rang out and Penelope, crestfallen, leaves the village. Jesse however stands victorious with the Preacher and his minion shot dead. Jesse is surrounded by the rest of the village and appears doomed.
Back at the town, the gates are barred and the townspeople prepare for a battle. To everyone's surprise Jesse rides with the Chief at his side and the remainder of the tribe behind them. Jesse has made peace with the Chief, using his dentistry skills to replace his missing teeth and orders him a rare steak. Jesse and Penelope reunite and hug.
It’s not quite British, and it’s not quite American – so what gives? Why do all those actors of yesteryear have such a distinct and strange accent?
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If you’ve ever heard old movies or newsreels from the thirties or forties, then you’ve probably heard that weird old-timey voice.
It sounds a little like a blend between American English and a form of British English. So what is this cadence, exactly?
This type of pronunciation is called the Transatlantic, or Mid-Atlantic, accent. And it isn’t like most other accents – instead of naturally evolving, the Transatlantic accent was acquired. This means that people in the United States were taught to speak in this voice. Historically Transatlantic speech was the hallmark of aristocratic America and theatre. In upper-class boarding schools across New England, students learned the Transatlantic accent as an international norm for communication, similar to the way posh British society used Received Pronunciation – essentially, the way the Queen and aristocrats are taught to speak.
It has several quasi-British elements, such a lack of rhoticity. This means that Mid-Atlantic speakers dropped their “r’s” at the end of words like “winner” or “clear”. They’ll also use softer, British vowels – “dahnce” instead of “dance”, for instance. Another thing that stands out is the emphasis on clipped, sharp t’s. In American English we often pronounce the “t” in words like “writer” and “water” as d’s. Transatlantic speakers will hit that T like it stole something. “Writer.” “Water.”
But, again, this speech pattern isn’t completely British, nor completely American. Instead, it’s a form of English that’s hard to place… and that’s part of why Hollywood loved it.
There’s also a theory that technological constraints helped Mid-Atlantic’s popularity. According to Professor Jay O’Berski, this nasally, clipped pronunciation is a vestige from the early days of radio. Receivers had very little bass technology at the time, and it was very difficult – if not impossible – to hear bass tones on your home device. Now we live in an age where bass technology is booms from the trunks of cars across America.
So what happened to this accent? Linguist William Labov notes that Mid-Atlantic speech fell out of favor after World War II, as fewer teachers continued teaching the pronunciation to their students. That’s one of the reasons this speech sounds so ‘old-timey’ to us today: when people learn it, they’re usually learning it for acting purposes, rather than for everyday use. However, we can still hear the effects of Mid-Atlantic speech in recordings of everyone from Katherine Hepburn to Franklin D. Roosevelt and, of course, countless films, newsreels and radio shows from the 30s and 40s.
SOURCES:
http://www.motherjones.com/kev....in-drum/2011/08/oh-o
http://news.discovery.com/hist....ory/us-history/old-t
http://web.archive.org/web/200....51118050043/http://w
http://www.slate.com/articles/....news_and_politics/ex
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All film stocks decompose over time. Sometimes this decomposition is irreversible — which explains why an estimated 75% of American silent films are considered lost. We visited The George Eastman Museum in Rochester, New York, to see how its team rescues old movies and restores them to their former glory.
The Eastman Museum runs one of the world's top film-preservation programs. Its archives of over 28,000 films include the personal collections of directors like Spike Lee and Martin Scorsese and carefully controlled nitrate vaults containing over 26 million feet of film.
The museum's preservation projects include the silent films of Cecil B. DeMille and Georges Méliès, along with Stanley Kubrick's first film, "Fear and Desire," from 1953, and Orson Welles' once-lost work "Too Much Johnson," from 1938. Its recent restoration of the 1935 Oscar Micheaux film "Murder in Harlem" screened at the 2021 Cannes Film Festival.
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#Restoration #OldMovies #MoviesInsider
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How Old Movies Are Professionally Restored | Movies Insider
Old
In Theaters July 23
https://www.old.movie
This summer, visionary filmmaker M. Night Shyamalan unveils a chilling, mysterious new thriller about a family on a tropical holiday who discover that the secluded beach where they are relaxing for a few hours is somehow causing them to age rapidly … reducing their entire lives into a single day.
The film stars an impressive international cast including Golden Globe winner Gael García Bernal (Amazon’s Mozart in the Jungle), Vicky Krieps (Phantom Thread), Rufus Sewell (Amazon’s The Man in the High Castle), Ken Leung (Star Wars: Episode VII—The Force Awakens), Nikki Amuka-Bird (Jupiter Ascending), Abbey Lee (HBO’s Lovecraft Country), Aaron Pierre (Syfy’s Krypton), Alex Wolff (Hereditary), Embeth Davidtz (The Girl with the Dragon Tattoo), Eliza Scanlen (Little Women), Emun Elliott (Star Wars: Episode VII—The Force Awakens), Kathleen Chalfant (Showtime’s The Affair) and Thomasin McKenzie (Jojo Rabbit).
Old is a Blinding Edge Pictures production, directed and produced by M. Night Shyamalan, from his screenplay based on the graphic novel Sandcastle by Pierre Oscar Lévy and Frederik Peeters. The film is also produced by Ashwin Rajan (Glass, AppleTV+’s Servant) and Marc Bienstock (Glass, Split). The film’s executive producer is Steven Schneider.
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Movie stars dancing to 'Footloose'.
List of movies used (minus a couple that I couldn't remember)....
It's A Wonderful Life, Dirty Dancing, Don't Knock The Rock, Gold Diggers Of 1935, Good News, Dames, Babes On Broadway, Panama Hattie, Follow The Fleet, Bye Bye Birdie, Lady Of Burlesque, Thoroughly Modern Millie, Show Boat (1951), I Love Melvin, Meet Me After The Show, Down To Earth, Viva Las Vegas, A Date With Judy, Footloose, Moon Over Miami, Hello Dolly, The Gold Rush, Flower Drum Song, Mary Poppins, West Side Story, The Kid From Brooklyn, Les Girls, Easter Parade, Guys & Dolls, Royal Wedding, 42nd Street, Sweet Charity, White Nights, The Affairs Of Dobie Gillis, Three Little Words, Let's Be Happy, Blue Skies, Singin' In The Rain, Lullaby Of Broadway, The Seven Little Foys, Broadway Melody Of 1940, Tea For Two, Call Me Madam, Sun Valley Serenade, Words And Music, It's Always Fair Weather, The Band Wagon, Alexander's Ragtime Band, Down Argentine Way, Les Demoiselles De Rochefort, Saturday Night Fever, Flashdance, On The Town, The Little Princess, Stormy Weather, Hit The Deck, Excuse My Dust, Pennies From Heaven, The Great American Broadcast, Damn Yankees, Broadway Melody Of 1938, You're My Everything, Look For The Silver Lining, Sensations Of 1945, White Christmas, Lovely To Look At, Deep In My Heart, A Damsel In Distress, There's No Business Like Show Business, You'll Never Get Rich, The Barkleys Of Broadway, Evergreen, Honolulu, Gentlemen Prefer Blondes, Hollywood Canteen, The Belle Of New York, Star!, Broadway Rhythm, The Gang's All Here, Anchors Aweigh, Breakin'.
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Scene from Jam Session (1962) featuring Nida Blanca and Nestor de Villa dancing the La Pachanga.
- AI Colorization (not real-world accurate)
- Upscaled from 1280x720 to 3840x2160
- Minor color adjustments
Credit to:
https://youtu.be/x9SUYTnt5nU
(original footage)
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Mariel (Sharon Cuneta) struggles as a stepmother striving for acceptance by her step kids, after she marries Edward (Christopher de Leon) who just got out of an annulment.
Disclaimer: Due to music restrictions, some parts of this movie were rescored for this YouTube upload version.
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