𝐂𝐋𝐀𝐒𝐒𝐈𝐂𝐒 𝐌𝐄𝐃𝐋𝐄𝐘 [..𝐋𝐲𝐫𝐢𝐜..] 𝐁𝐄𝐒𝐓 𝐎𝐋𝐃 𝐒𝐎𝐍𝐆𝐒 || 𝐍𝐎𝐍-𝐒𝐓𝐎𝐏 𝐏𝐋𝐀𝐘𝐋𝐈𝐒𝐓
https://youtu.be/2kTX0KshsT0
✐ 𝐏𝐥𝐚𝐲𝐥𝐢𝐬𝐭 :
00:00.In Your Eyes
01:26.Nothing's Gonna Change My Love For You
03:09.Exchange Of Hearts
04:47.Just once
07:48.Stuck on You
11:01.Don’t Know What to Say (Don't Know What to Do)
13:49.Maybe This Time
17:06.How Deep Is Your Love
21:31.The Past
24:59.Through The Years
29:12.Nothing's Gonna Stop Us Now
33:41.Beautiful in My Eyes
37:56.Right Here Waiting For You
42:12.Having You Near Me
46:02.Everything I Own
49:05.You’re the Inspiration
53:29.Will of the wind
57:13.Wonderful tonight
01:00:45.Never Thought That I Could Love
01:04:03.Ocean Deep
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Dark Classical Music
Scary & Creepy
Tracklist:

0:00:00 Litvinovsky - Tales of the Magic Tree: IV. Spider Knows His Craft
0:03:39 Litvinovsky - Suite for Strings "Le Grand Cahier": X. L'Incendie
0:05:58 Vivaldi - The Four Seasons, Concerto No. 4 in F minor, RV 297 "Winter": I. Allegro non molto *
0:09:14 Vivaldi - The Four Seasons, Concerto No. 2 in G minor, RV 315 "Summer": III. Presto *
0:11:54 Haydn - Die Worte des Erlösers am Kreuze, Hob. XX:1: IX. Il Terremoto
0:13:40 Prokofiev - Suite No. 1 from Romeo and Juliet, Op. 64bis: No. 6, Death of Tybalt
Metamorphose String Orchestra, Pavel Lyubomudrov
* Violin: Yuliya Lebedenko

0:18:12 Mozart - Requiem in D Minor, K. 626: Lacrimosa (Live)
Orquesta Reino de Aragón, Ricardo Casero
Federación Aragonesa de Coros, Noelia Torres

0:21:06 Händel - Suite No. 11 in D Minor, HWV 437: III. Sarabande
0:23:54 Jenkins - Concerto Grosso for Strings "Palladio": I. Allegretto
0:26:28 Albéniz (arr. Naughtin) - Suite Española No. 1: V. Asturias - Leyenda
0:33:28 Gershwin (arr. Naughtin) - 3 Preludes: No. 2, Andante con moto e poco rubato
Litvinovsky - Pelléas and Mélisande:
0:37:32 IV. La grotte. Lac souterrain (Grotto. Underground lake)
0:41:33 V. Procession du crepuscule (Twilight procession)
0:44:15 XI. Duel. Épée de jalousie (Duel. Sword of jealousy)
0:47:00 XII. Mort de Mélisande (Death of Mélisandre)
Metamorphose String Orchestra, Pavel Lyubomudrov

Mozart - Requiem, K. 626 (Live):
0:50:39 Introitus. Requiem
0:56:03 Kyrie
0:58:44 Sequentia. Dies Irae
Orchestra da Camera Fiorentina, Harmonia Cantata, Giuseppe Lanzetta

1:00:25 Orff/Killmayer - Carmina Burana: O Fortuna (Live)
Orquesta Reino de Aragón, Coro Amici Musicae, Igor Tantos

1:03:05 Prokofiev - Ten Pieces for Piano from the Ballet “Romeo and Juliet”: No. 6, Montagues and Capulets (Dance of the Knights)
Luke Faulkner

1:07:06 Liszt - Mephisto Waltz No. 1, S. 514
Luca Rasca

1:19:00 Litvinovsky - Tales of the Magic Tree: XI. Fascinated by the Rain
Metamorphose String Orchestra, Pavel Lyubomudrov

1:23:16 Verdi - Requiem: 2a. Dies Irae (Live)
Orquesta Reino de Aragón, Jose Antonio Sainz de Alfaro

Litvinovsky - Suite for Strings "Le Grand Cahier":
1:25:26 III. L'Hiver
1:29:02 II. Les Alertes
Mussorgsky - Pictures at an Exhibition (Live):
1:31:14 No. 8, Catacombae. Sepulcrum romanum
1:32:30 Cum mortuis in lingua mortua
1:34:38 No. 9, The Hut on Fowl's Legs "Baba-Yagá"
Metamorphose String Orchestra, Pavel Lyubomudrov

1:38:13 Berlioz - Symphonie Fantastique, H 48: V. Songe d’une nuit de sabbat (Dream of a witches' sabbath). Larghetto - Allegro (Live)
Orquesta Reino de Aragón, Ricardo Casero

---

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All the best classical music ever on Halidon Music Youtube Channel: the best classical music playlist mix, the best classical music for studying, classical music for reading, classical music for concentration, classical music for sleeping and relaxation, instrumental music, background music, opera music, piano, violin & orchestral masterpieces by the greatest composers of all time. The very best of Mozart, Beethoven, Bach, Chopin, Vivaldi, Mahler, Rossini, Strauss, Verdi, Chopin, Bach, Brahms, Ravel, Grieg Ravel, Dvorák...

#classicalmusic

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50 Baroque Classical Music Pieces
Tracklist:

0:00:00 Bach-Gounod - Ave Maria, CG 89a
0:04:43 Bach - Orchestral Suite No. 3 in D Major, BWV 1068: II. Air on the G String
0:10:33 Bach - Cantata, BWV 147: Jesu, Joy of Man's Desiring
0:14:50 Vivaldi (arr. Naughtin) - Concerto for Strings in G minor, RV 152: II. Andante molto e sempre pianissimo
0:17:09 Pachelbel - Canon and Gigue in D major, P. 37: I. Canon
Vivaldi - The Four Seasons, Concerto No. 1 in E major, RV 269 "Spring": *
0:21:44 I. Allegro
0:24:59 II. Largo e pianissimo sempre
0:27:22 III. Allegro pastorale
Vivaldi - Chamber Concerto in D Major, RV 93 (Arr. for Guitar and Orchestra):
0:31:08 I. No tempo indication
0:33:05 II. Largo
0:35:46 III. Allegro
Vivaldi - The Four Seasons, Concerto No. 3 in F major, RV 293 "Autumn": *
0:36:58 I. Allegro
0:41:49 III. Allegro
0:45:04 Vivaldi - Concerto alla Rustica for Strings in G major: I. Presto
0:46:20 Händel - Solomon, HWV 67: Arrival of the Queen of Sheba
Metamorphose String Orchestra, Pavel Lyubomudrov
* Violin: Yuliya Lebedenko
** Guitar: Yuri Nehai

Händel - Organ Concerto in in B-Flat Major, HWV 294 (Arr. for Harp):
0:49:24 I. Andante - Allegro
0:53:30 II. Larghetto
0:58:04 III. Allegro moderato
Maria Chiossi

Bach - Keyboard Concerto No. 2 in E Major, BWV 1053:
1:00:36 I. No tempo indication
1:08:33 II. Siciliano
1:13:56 III. Allegro
Metamorphose String Orchestra, Pavel Lyubomudrov
Piano: Stanislav Soloviev

Bach - Brandenburg Concerto No. 3 in G Major, BWV 1048:
1:19:48 I. —
1:25:48 II. Adagio
1:26:14 III. Allegro
Bach - Brandenburg Concerto No. 4 in G Major, BWV 1049:
1:31:02 I. Allegro
1:38:18 II. Andante
1:42:02 III. Presto
Bach - Brandenburg Concerto No. 5 in D Major, BWV 1050:
1:47:09 I. Allegro
1:57:51 II. Affettuoso
2:03:30 III. Allegro
Orchestra da Camera Fiorentina, Giuseppe Lanzetta

Bach - Cello Suite No. 1 in G Major, BWV 1007:
2:09:02 I. Prélude
2:21:02 IV. Sarabande
Massimiliano Martinelli

2:15:03 Vivaldi - Concerto for 2 Cellos in G Minor, RV 531: II. Largo (Arr. for Cello and Contrabass)
Metamorphose String Orchestra, Pavel Lyubomudrov
Cello: Nike Hutchisson
Contrabass: Andrey Shinkevich

Bach - Orchestral Suite No. 2 in B Minor, BWV 1067:
2:19:45 I. Overture. Lentamente
2:27:27 II. Rondeau
2:28:56 III. Sarabande
2:31:54 IV. Bourrée
2:33:52 V. Double
2:37:18 VI. Minuetto
2:38:33 VII. Badinerie
Orchestra da Camera Fiorentina, Giuseppe Lanzetta
Flute: Andreas Blau

2:39:52 Händel - Suite No. 7 in G Minor: VI. Passacaglia
2:47:36 Händel - Suite No. 11 in D Minor, HWV 437: III. Sarabande
Metamorphose String Orchestra, Pavel Lyubomudrov

2:50:25 Giazotto - Adagio in G Minor "Albinoni's Adagio" (Arr. for Piano by F. Pott)
Vadim Chaimovich

2:57:53 Bach - Ich steh mit einem Fuß im Grabe, BWV 156: I. Sinfonia (Arioso)
Vivaldi - The Four Seasons, Concerto No. 2 in G minor, RV 315 "Summer": *
3:01:25 I. Allegro non molto
3:06:31 II. Adagio e piano - Presto e forte
3:08:36 III. Presto
Vivaldi - The Four Seasons, Concerto No. 4 in F minor, RV 297 "Winter": *
3:11:16 I. Allegro non molto
3:14:32 II. Largo
3:16:31 III. Allegro
Metamorphose String Orchestra, Pavel Lyubomudrov
* Violin: Yuliya Lebedenko

Baroque music refers to the period or dominant style of Western classical music composed from about 1600 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Alessandro Stradella, Antonio Vivaldi, Tomaso Albinoni, Johann Pachelbel, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, François Couperin, Johann Hermann Schein, Heinrich Schütz, Samuel Scheidt, Dieterich Buxtehude, and others.

#classicalmusic #baroque

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The beginning part of 5 famous pieces:

1. Für Elise - Beethoven 0:00
2. Minuet - Bach 0:38
3. Ode to joy (Ode an die Freude) - Beethoven 1:25
4. Swan Lake (Schwanensee) -Tchaikovsky 2:00
5. Eine kleine Nachtmusik - Mozart 2:44

🎵 Sheetmusic:

1. Für Elise: https://www.musicnotes.com/l/tv5MQ
2. Minuet: https://www.musicnotes.com/l/vv5Mq
3. Ode to joy: https://www.musicnotes.com/l/6v5M4
4. Swan Lake: https://www.musicnotes.com/l/Vv5Mb
5. Eine kleine Nachtmusik: https://www.musicnotes.com/l/Hv5MJ

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Collins Classics is pleased to present the official audio from our brand new album, 'Mozart's Christmas Masterpieces'. This album features over an hour of relaxing festive classical music and winter songs by Wolfgang Amadeus Mozart including:

1. Exsultate Jubilate in F major, K. 165: Alleluia - Robert Haydon Clark and Consort of London
2. Horn Concerto No. 3 in E flat major, K.447: I. Allegro - Barry Tuckwell and Philharmonia Orchestra
3. Serenade No. 13 in G major, K.525, "Eine Kleine Nachtmusik": III. Menuetto allegretto - Hilary Davan Wetton and London Philharmonic Orchestra
4. Concerto No. 1 for Flute and Orchestra in G major, K. 313: III - Robert Haydon Clark and Consort of London
5. Andante for Flute and Orchestra in C major, K.315: Andante - Jennifer Stinton, Tamás Vásáry and Philharmonia Orchestra
6. Sinfonia Concertante in E-flat major, K. 297b: III. Andante con variazioni - Alexander von Pitamic and Camerata Academica Salzburg
7. March in C major, K. 214 - Eugen Duvier and Camerata Romana
8. Concerto for Flute and Harp in C major, K.299: III. Rondo allegro - Jennifer Stinton, Aline Brewer and Philharmonia Orchestra
9. Piano Concerto No. 17 in G major, K.453: II. Andante - Tamás Vásáry and Philharmonia Orchestra
10. Piano Concerto No. 26 in D major, K. 537 - "Coronation": II. Larghetto - Alberto Lizzio, Svetlana Stanceva and Mozart Festival Orchestra
11. Divertimento in D major, K136, "Salzburg Symphonies": I. Allegro - Robert Haydon Clark and Consort of London
12. Coronation Mass in C major, K. 317: II. Gloria - Ernst Hinreiner,
Mozarteum Choir and Mozarteum Orchestra

You can stream and download 'Mozart's Christmas Masterpieces' here - https://CollinsClassics.lnk.to..../MozartChristmasMast

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#classical #christmas #classicalmusic

This is the best video about classical music by Classical Masterpieces. It features a compilation of the greatest classical music pieces composed by the most renowned classical composers of all time. If you are a fan of classical music, this video is a must-watch. You will be mesmerized by the beauty and depth of the melodies, and transported to a world of rich emotions and timeless artistry. So sit back, relax, and enjoy the best classical music experience on YouTube
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The Best of Paganini. Why Paganini Is Considered The Devil's Violinist
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Purchase the album at: https://sufiscore.bandcamp.com..../album/ghazals-thumr

Ghazal is a poetic form rather than a musical genre because the text of a Ghazal may be composed in any number of musical styles. It can be sung in a classical format with minimal musical accompaniment or it can be arranged to be sung with an orchestra. The words of many great ghazals have also been used as film songs. It is one of the oldest forms of poetry that is still being written and sung. Its origins are in the Arabic language from where it made its way into Farsi (Persian) and, eventually, to Urdu. A Ghazal consists of rhyming couplets which may or may not be thematically linked. Ghazals usually follow the themes of love and loss and the poetry is always in a male persona, (the devoted lover), writing from his viewpoint and describing the wiles and coquetry of an uncaring female, (the heartless beloved.)
Occasionally, ghazals also follow a theme of an initial hope and joy that comes from a new love, such as this ghazal by the Indian poet Bashir Badr, (born 1935), in which the poet likens his beloved to life itself saying that all his wishes have now been fulfilled and he seeks nothing more from life. He compares himself to a darkened earth and says his beloved is like a moon-lit sky. This ghazal was originally composed and popularised by India’s legendary ghazal singer Jagjit Singh (1941 – 2011).

Singer Kavya Limaye captures the inner mysteries of “Asia Lagta Hai,” one of 12 ghazals (lyric poetry) arranged by violinist Deepak Pandit for this thrilling collaboration with the Budapest Symphony Orchestra. Sufiscore is proud to present this video, filmed in historic Budapest, as part of its mission to promote new musical fusions and collaborations across genres and traditions.

Music:
Music produced by Deepak pandit
Singer: Kavya Limaye
Solo Violin: Deepak Pandit
Piano: Santosh Mulekar
Keyboard: Gaurav Vaswani
Flute: Paras Nath
Tabla: Prashant Sonagra
Hand Sonic & Percussion: Swaranjay Dhumal
Stage sound engineer: Sanjay Rane

Orchestration by Neville Franco

Technical team at Seven Heaven:
Audio mixing assistants:
Sanket Tole,
Harshul Khadse,
Ezekiah Naniwadekar,
Anushree Manjrekar
Mixed and Mastered by K. Sethuraman

Director: Imre Szabó-Stein
DOP: Zsolt Tóth
Line Producer: György Czutor
Line Producer: Ferenc Péter

This song is to be treated as a cover and copyright infringement is not intended.To listen to similar artists and performances, check out our Youtube page!

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Which of these pieces did you know? We bet you've heard all of them before! They are so recognisable that we doubt that anyone hasn't heard ALL of them at some point. But please tell us if you have never heard any of these famous piano pieces: we'd love to know who hasn't!

Pieces:
0:00 Intro
0:10 Beethoven - Fur Elise
0:20 Chopin - Funeral March
0:32 Rachmaninoff Prelude in a C# Minor
0:44 Chopin - Fantasie Impromptu
1:07 Rimsky Korsakoff - Flight Of The Bumblebee
1:25 Beethoven - Moonlight Sonata, 3rd Movement
1:36 Liszt - Hungarian Rhapsody No. 2
1:50 Mozart - Rondo alla Turca
2:13 Debussy - Clair de Lune
2:50 Satie - Gymnopédie No. 1

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Performed by Andrew Wrangell
Edited by Samuel Dickenson

Disscuss/Review The Blue Danube Waltz at https://classicalmusiconly.com..../work/johann-strauss

Title : Johann Strauss II , The Blue Danube Waltz
Date : 1867

From Wikipedia,The Blue Danube is the common English title of An der schönen blauen Donau op. 314 (On the Beautiful Blue Danube), a waltz by Johann Strauss II, composed in 1867. Originally performed 9 February 1867 at a concert of the Wiener Männergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success, however, and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda -- I wish that had been a success!"

The waltz originally had an accompanying song text written by Josef Weyl. Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, Donau so blau (Danube so blue), is also used on occasion.

The sentimental Viennese connotations of the piece have made it into a sort of unofficial Austrian national anthem. It is a traditional encore piece at the annual Vienna New Year's Concert. The first few bars are also the interval signal of Osterreich Rundfunk's overseas programs.

It is reported by composer Norman Lloyd in his "Golden Encyclopedia of Music" that when asked by Frau Strauss for an autograph, the composer Johannes Brahms autographed Mrs. Strauss's fan by writing on it the first few bars of the Blue Danube. Under it he wrote "Unfortunately not by Johannes Brahms".The work commences with an extended introduction in the key of A major with shimmering (tremolo) violins and a French horn spelling out the familiar waltz theme, answered by staccato wind chords, in a subdued mood. It rises briefly into a loud passage but quickly dies down into the same restful nature of the opening bars. A contrasting and quick phrase in D major anticipates the waltz before 3 quiet downward-moving bass notes "usher in" the first principal waltz melody.

The first waltz theme is familiar gently rising triad motif in cellos and horns in the tonic D major, accompanied by harps; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent.

Waltz 2A glides in quietly (still in D major) before a short contrasting middle section in B flat major. The entire section is repeated.

A more dour waltz 3A is introduced in G major before a fleeting eighth-note melodic phrase (waltz 3B). An loud Intrada (introduction) is then played. Waltz 4A starts off in a romantic mood (F major) before a more joyous waltz 4B in the same key.

After another short Intrada in A, cadencing in F-sharp minor, sonorous clarinets spell out the poignant melody of waltz 5A in A. Waltz 5B is the climax, punctuated by cymbal crashes. Each of these may be repeated at the discretion of the performer.

The coda recalls earlier sections (3A and 2A) before furious chords usher in a recap of the romantic Waltz 4A. The idyll is cut short as the waltz hurries back to the famous waltz theme 1A again. This statement is cut short, however, by the final codetta: a variation of 1A is presented, connecting to a rushing eighth-note passage in the final few bars: repeated tonic chords underlined by a snare drumroll and a bright-sounding flourish.

Embark on a thrilling musical voyage with our captivating horn concertos video. Immerse yourself in the majestic sound of the horn as talented musicians weave intricate melodies and showcase their virtuosity.

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An instrument in evolution, today's French horn bears little resemblance to the horns of the past. Even before it was first used in classical music, the horn was frequently found in religious ceremonies as a useful way of calling people to prayer, and of course played a vital role on the hunting field. Since then, the instrument has undergone vast transformation, the most important being the addition of valves, allowing players access to all notes rather than just the natural ones. Its first recorded usage comes around the end of the 16th century, when Cavalli's opera Le nozze di Teti e di Peleo calls for a 'chiamata alla caccia'. However, it did not appear as a solo concerto instrument until years later; one of the first examples is an anonymous Sonata da caccia, included on this release, with the horn playing hunt-like motives in a concertante relationship alongside strings and continuo.

The Baroque period saw a flurry of composers adding horn concertos to their repertoire, often in a group with other instruments. Telemann wrote several concertos and overtures that feature the horn. His Italian contemporary Vivaldi wrote two concertos for two horns, the second of which features here. Other lesser-known composers are also represented: the horn player Peter Damm has discovered and now champions neglected pieces for the horn repertoire, including concertos by Peter Johann Fick and Christoph Förster, who were both active in the first half of the 18th century. Their German contemporaries include Johann Friedrich Fasch, Johann David Heinichen and Johann Joachim Quantz, all of whom wrote a great quantity of horn music. Jan Dismas Zelenka, a Bohemian composer active in the same period, would later be championed by Smetana. His Caprice in F for two horns includes some playful writing between the two solo instruments.

Tracklist (complete tracklist with the composer and artists can be found in the comment section):
00:00:00 Horn Concerto in D Major, TW V51:D8
00:10:05 Horn Concerto in E-Flat Major
00:24:06 Sonata da caccia in C Major
00:28:26 Horn Concerto No. 1 in D Major, Hob. VIId:3
00:47:21 Horn Concerto in B-Flat Major
00:57:40 Concerto No. 2 in F Major, RV 539
01:06:32 Horn Concerto in E-Flat Major
01:19:00 Concerto concertant in E-Flat Major, Op. 3
01:36:52 Concerto in E-Flat Major
02:02:02 Concertino in E Minor, Op. 45
02:18:34 Konzertstück in E Major
02:31:55 Morceau de concert in F Minor, Op. 94
02:41:11 Konzertstück in F Major, Op. 86
03:00:20 Concerto in E-Flat Major
03:10:26 Caprice in F Major
03:26:12 Concerto for 2 Horns in F Major, S.231
03:32:32 Concerto for 2 Horns in D Major, TWV 52:D2
03:41:01 Concerto in D Major, FaWV L:D18

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5 Types of Classical Music on Piano. Which style do you like most?
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Claude Debussy (22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.

Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, Pelléas et Mélisande.

Debussy's orchestral works include Prélude à l'après-midi d'un faune (1894), Nocturnes (1897–1899) and Images (1905–1912). His music was to a considerable extent a reaction against Wagner and the German musical tradition. He regarded the classical symphony as obsolete and sought an alternative in his "symphonic sketches", La mer (1903–1905). His piano works include two books of Préludes and two of Études. Throughout his career he wrote mélodies based on a wide variety of poetry, including his own. He was greatly influenced by the Symbolist poetic movement of the later 19th century. A small number of works, including the early La Damoiselle élue and the late Le Martyre de saint Sébastien have important parts for chorus. In his final years, he focused on chamber music, completing three of six planned sonatas for different combinations of instruments.

With early influences including Russian and far-eastern music, Debussy developed his own style of harmony and orchestral colouring, derided – and unsuccessfully resisted – by much of the musical establishment of the day. His works have strongly influenced a wide range of composers including Béla Bartók, Olivier Messiaen, George Benjamin, and the jazz pianist and composer Bill Evans. Debussy died from cancer at his home in Paris at the age of 55 after a composing career of a little more than 30 years.

Claude Debussy

Tracklist
OBRAS PARA PIANO
1. Arabesque Nº1
2. Arabesque Nº2
3. Clair De Lune
4. Passepied
5. Rêverie
6. Hommage A Rameau
7. Voiles
8. Les Sons Et Les Parfums Tournent Dans L'air Du Soir
9. La Fille Aux Cheveux De Lin
10. La Cathédral Engloutie
11. Musiciens
12. Le Petit Berger
13. Golliwogg's Cakewalk
14. L'isle Joyeuse
15. Prelúdio para a tarde de um fauno

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#MusicHistory
#ClassicalMusic
#Debussy

🎧Now you can Stream/Download this beautiful piece 😊 ► https://fanlink.to/tm_mariage
Disclaimer: This piece is also known as Mariage D'amour by Paul de Senneville. ''Chopin - Spring Waltz'' is just a pseudonym. Chopin hasn't written this piece. I uploaded this piece when I, just like you, didn't know the truth that this piece is not by Chopin! But... Unfortunately, if I'll change the name of this video to the correct one, other videos with name "Chopin Spring Waltz" will rise on top(there's hundreds of them!), so I put this disclaimer on top of description of the most popular video. I truly didn't want to pour misinformation around. I'm genuinely sorry for inconveniences it caused to you... :(

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Enjoy! ;)

#Piano

Singer : pt. shri. Rahulji deshpande and Shankar ji mahadevan
Tabla : Prasad padhye

Bhav Vishwa is made for Only Classical music videos. and we try to increase indian classical music and Abhijat Sangeet in new generation.


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Classical music remix electro instrumental orchestral dubstep compilation. Classical music modern remix.

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● Classical electro hip hop
https://youtu.be/jR_FvoeR4J8

● Classical music
Classical music is art music produced or rooted in the traditions of Western music (both liturgical and secular). It encompasses a broad span of time from roughly the 11th century to the present day.
http://en.wikipedia.org/wiki/Classical_music

All material is copyrighted, do not copy to avoid copyright Infringement. Image(s), used under license from Shutterstock.com

🎶🎻 Romeo and Juliet, No 13 Dance of the Knights aka "Montagues and Capulets". 1935 by Sergei Prokofiev.


Montagues and Capulets, also known as Dance of the Knights, is a work of classical music written by Russian composer Sergei Prokofiev. The piece is the first movement of the Suite No. 2 from Romeo and Juliet, Op. 64ter, which consists of two excerpts from his 1935 ballet Romeo and Juliet


#prokofiev #danceoftheknights #classicalmusic #classicalrestored #classical #classicalcity



http://vevo.ly/o8fYNJ

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Composer: Erik Satie
Artists: Håkon Austbö (piano)

The unconventional French composer Erik Satie almost wrote anti-music. In slow motion (and without bars) his well-known Gymnopédies glide past. In other pieces one can hear more than faint echoes form the vaudeville theatre. Played by Håkon Austbø.

Tracklist:
00:00:00 3 Sarabandes (1887): No. 1
00:05:33 3 Sarabandes (1887): No. 2
00:10:33 3 Sarabandes (1887): No. 3
00:14:47 3 Gymnopédies (1889): No. 1: Lent et douloureux
00:18:27 3 Gymnopédies (1889): No. 2: Lent et triste
00:21:45 3 Gymnopédies (1889): No. 3: Lent et grave
00:24:38 Gnossiennes 1-3 (1890): No. 1
00:28:45 Gnossiennes 1-3 (1890): No. 2
00:30:45 Gnossiennes 1-3 (1890): No. 3
00:34:11 Gnossiennes 4-6 (1889-1897): No. 4
00:37:02 Gnossiennes 4-6 (1889-1897): No. 5
00:39:53 Gnossiennes 4-6 (1889-1897): No. 6
00:41:27 2 Préludes du nazaréen (1892): No. 1, assez lent
00:46:09 2 Préludes du nazaréen (1892): No. 2, assez lent
00:49:15 2 Prélude de la porte Héroique du ciel (1894)
00:53:00 2 Pièces froides (1897), No. 1: Airs a faire fuir: D’une manière très particulaire
00:55:59 2 Pièces froides (1897), No. 1: Airs a faire fuir: Modestemente
00:57:42 2 Pièces froides (1897), No. 1: Airs a faire fuir: S’inviter
01:00:45 No 2: Danses de travers: En y regardent à deux fois
01:01:39 No 2: Danses de travers: Passer
01:02:25 No 2: Danses de travers: Encore
01:03:47 Petite ouverture à danser (1900)

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#Satie #Classical #BrilliantClassics #Piano #Music #ClassicalMusic

I wish this moment would last forever.
_________

Spotify link ─ https://open.spotify.com/playl....ist/3h74UWE0iSPAEPIS

Google drive link to original version:
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Ads ─ I have no control over the ads on my videos as I am not monetised, but you can try the following:
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Disclaimer ─ I do not own, nor claim to own any music or pictures used in this video. All rights go to the original owners.


#playlist #pieropiccioni #disneyprincess #classicalmusic #studyBGM

The "Ride of the Valkyries" refers to the beginning of act 3 of Die Walküre, the second of the four operas constituting Richard Wagner's Der Ring des Nibelungen.

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Tracklist:🎶
Country Music 2024 - Morgan Wallen, Luke Combs, Chris Stapleton,Kane Brown, Jason Aldean, Luke Bryan

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